I am … unhindered by talent

Penguin’s promoting some exploration of the concept of “book” in their We tell stories series, where six authors have contributed new works, each of which explores some aspect of on-line story-telling, sometimes quite distinct from more traditional printed books.

Not all of these are equally successful (I thought the idea of “The 21 steps” was better than the execution). My favorite of these is probably “Hard times”, by Matt Mason and Nicholas Felton. It’s a short, but (for me) very effective collection of data points making it clear how much things have changed and are changing, and hinting about what it might all mean down the road. Most of the info was at least somewhat familiar to me, but I love the way the details are brought together into a compact compelling argument — a sort of data poetry.

From Part VII: “Ideas are travelling faster” (crediting the data to Seth Goodin’s Unleashing the idea virus):

The time required to achieve Ten Million Users:

• Radio: 40 years
• Television: 15 years
• Netscape: 3 years
• Hotmail and Napster: < 1 year

Part IX-A has a tremendous title — “Our parents killed bad ideas with music. We kill bad ideas with new buiness models” — and delivers excellently on that promise.

Thanks to jakebouma for the cool photo.

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If you’re never been over to BibliOdyssey I highly recommend a visit. The sub-title for the blog is “Books~~Illustrations~~Science~~History~~Visual Materia Obscura~~Eclectic Bookart” which, well, sums it all up rather nicely. Lots of neat old illustrations, often (but not always) on scientific themes. The themes are interesting, the background info excellent, and the images are frequently just too cool.

The image above is from some of the earliest high quality mapping of Mars in the late 1800’s by Giovanni Schiaparelli, and is part of a really neat set of early modern maps of the red planet. Peacay (BibliOdyssey’s curator) has once again pulled together some great images that are really wonderful to look at in and of themselves, as well as being really cool historic and scientific documents.

Schiaparelli’s (in)famous ‘canali’ turned out to be a kind of optical illusion caused by interactions between light, dust clouds that form in the martian atmosphere, the orbital location and background interference from the planet’s surface itself. If a sketch is made of something that wasn’t really there but you believed it to be there at the time, can you call the result abstract art I wonder? I guess so.

I concur.

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Somehow (and I’m not sure where now), I ran across a pointer to a YouTube video entitled “Jesus shaves” by David Sedaris. I wasn’t in a position to watch it at the time, so there it sat as a lonely, forgotten Firefox tab while life pulled me in other directions for several weeks.

Today, however, I returned to this tab as part of my post-Naples electronic housekeeping. This was mostly dominated by really exciting activities, such as the disposal of hundreds of e-mails promoting conferences and workshops in areas I know almost nothing about; telling me of events back at UMM that I can happily ignore; advertising baby cribs, pick-ups, and houses for sale; and promising to make me an irresistible sexual dynamo that can finally, truly satisfy the woman in my life. (I forwarded the latter to WeatherGirl for review.)

After all that fun, I finally got to the Sedaris tab, and I laughed so hard I nearly wet myself. Then, because my to-do list hasn’t quite gone into triple digits, I wandered around YouTube listening to other “videos” of him reading is stories. (Few of these are actually videos in the sense of “moving pictures”; they’re mostly just audio recordings with a still plopped on top so YouTube will swallow it.) The better part of an hour was spent giggling my way through random stories, and now my stomache muscles are slightly sore, so I thought I’d type for a bit as a form of rest.

There appears to be quite a lot of Sedaris material on YouTube, and everything I listened to was enormously fun. I love his deadpan voice, and suspect the experience of listening to him is actually funnier than reading him on the printed page. I would love to have him on my iPod when going to work, but suspect it would be hard to avoid embarrassing myself by laughing out loud in response to things that the people around me can’t hear.

Some of the bits that I enjoyed in my little distract-o-fest included

• Jesus shaves
• The squirrel and the chipmunk
• Bend over and say “Ah”
• Sedaris on Letterman reading his essay on the Stadium Pal

All definitely recommended.

But don’t blame me if that important project falls behind…

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As mentioned earlier, our paper “Semantic building blocks in genetic programming” with Brian Ohs (UMM ‘08) and Tyler Hutchison (UMM ‘07) was nominated for Best Paper at EuroGP 2008 in Naples, Italy.

We won!

That a paper co-authored with two undergraduates from a small, public, undergraduate liberal arts institution like the University of Minnesota, Morris, could win an award like this at an international science conference is just too damn cool. Well done to both Brian and Tyler!

In the hectic melee of the conference, most folks don’t have time to do anything more than skim the nominated papers, and usually not even that. This makes the talks a crucial part of an award like this, as much of the voting is based on them. Tyler (pictured above at Castel dell’Ovo in Naples) was a huge help in that regard. He flew over to the UK several days early so we could work on our talk, giving us the time we needed to revise and practice. He also produced a super cool little six page comic with a nifty introduction to our work that the audience could follow along with. We did a joint presentation, each covering about half the paper. Our talk was well received, and Tyler’s comic was incredibly (and deservedly) popular, and there’s no doubt that his participation was a huge help.

(And all this is on top of Brian and Tyler’s hard work and contributions on the paper itself. Obviously without that content we never would have had the paper accepted or nominated in the first place. So they both deserve huge kudos for that as well.)

Friday morning our paper was voted Best Paper by the conference attendees, and we were presented with a certificate, a box of Italian lemon cookies, and a box of Irish chocolates. All the Best Paper winners from the various EvoStar conferences and workshops also got to choose a free book from the Springer table. Tyler got a really cool book enitled Leonardo’s Lost Robots, and I got The forgotten revolution: How science was born in 300 BC and why it had to be reborn. (It was all terribly liberal arts of us - pretty much everyone else took evolutionary computation/artificial intelligence books of one form or another.)

Tyler upheld a fine tradition of our students making UMM look really good at conferences like this. From his deportment and grasp of the material, most people assumed he was a graduate student, despite the fact that the looks like he’s about 16 :-). He’s currently doing contract work as a web developer and designer, but is seriously interested in going to graduate school in the near future, and he definitely impressed the folks at the conference. I’ve been really lucky to work (and co-publish) with a string of great UMM students, and am looking forward to continue that with a very sharp student named Sara Lahr when we get back.

The trick for me (sometimes) is remembering just how good our students can be. The room we spoke in was this grand space of inlaid wood and marble that was quite a surprise in several ways. This was made worse by the fact that we were in the first session, so we had very little time to adjust and adapt. I was worried about running long (we had a lot of material to cover), and started to lose my nerve about having Tyler wandering around the room at the beginning handing out the comic. Tyler was really calm and collected about it, though, talked me down, and everything did in fact go really smoothly. The moral? Handouts are Good, really cool comics handous are Even Better, and I need to remember to listen to my students :-).

Thanks a ton to Brian and Tyler and all the people and offices at UMM that supported our work, and everyone who voted for our paper at EuroGP! Special thanks also to Riccardo Poli for hosting me on this sabbatical at the University of Essex. I’ve gotten a ton of cool work done here with Riccardo, including “A linear estimation of distribution GP system” at EuroGP, which was also nominated for Best Paper (and which I suspect was also strongly in the running).

I’ve dumped all the photos Tyler and I took in Naples onto my events account on Flickr. I’ll try to clean up a few to post to my main Flickr account in the next week or so.

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Last night’s unveiling of A Field Guide to Genetic Programming was a huge success! We had one of the poster “stalls” with 50 copies of the book that we’d purchased from Lulu as our initial “print run”. We were wearing cool t-shirts sporting that wonderful cover, had the nice poster shown to the right, and even had spiffy postcards with the cover to give away.

The book was a big hit with the Evo* crowd, and we sold out the full set of 50 pretty quickly. Lots of folks had us autograph their copies, many of which are now destined to be collector’s items with the signatures of all three of the authors. Some even have the signature of Tyler Hutchison, who did the nifty cover art for us and helped a lot with the roll-out.

There were tons of photos taken at our booth, including candids of us signing and working the crowd, and posed shots with our cool Field Guide shirts. People have promised to send us photos and links, so check back in the next week or two for some of the finest in EC book release amateur photojournalism! (And if you’ve got a photo from the event, or a nifty shot of your copy in its place of pride on your bookshelves, please pass it along.)

As mentioned before, the book is now officially released and available to any and all via lulu.com, both in an inexpensive printed form (what we were selling last night) and as a free downloadable PDF.

So go check it out - 50 whole Field Guide fans can’t be wrong!

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It’s pretty cool when you update your repository and see

At revision 400

We just hit that on the genetic programming book that Riccardo and Bill and I are working on; we’re currently averaging close to 10 commits a day here in the final stages. We hope to wrap it up in the next 1.5 weeks and then off to the printers for fun (and no profit in the traditional sense)!

P.S. Anyone want to proof read a few pages? Get in touch and we can work something out.

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I can’t really imagine that anyone’s going to want one of these, but just in case…

As a Xmas present for our various family members we used Blurb.com to create a photo book of some of our images from 2007. But hey, you can join the family by purchasing one as well :-). It’s 127 photos on 38 pages, and they have a PDF preview so you can see what you’re getting into before you put your money down.

This was our first use of Blurb, and their software was pretty decent. Amazing, really, how easy it is these days to publish books that no one really cares about. It used to be hard to publish books no one cared about; they regularly gave people degrees for it.

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The death of the book has been oft prophesied, and so far the old dear keeps hanging in there. Here Bill Janssen is quoted by Peter Brantley, suggesting that what the casualties may be are forms of content rather than forms of publishing.

Will the novel become a marginal form like opera?

In the hype around the Kindle, I haven’t noticed a mention of Monday’s NEA report, To Read or Not To Read. Seems much more interesting.

I’ve been saying for a few years that we are entering an age where textual fiction is becoming less and less significant, particularly for the canonical long text, the novel. The novel is a relatively recent innovation in entertainment, and the popular novel is a product of cheap production and distribution, thanks to the industrial revolution.

The delivery channels have multiplied, and the economics have changed. Television killed off the pulp magazine (and crippled the market for short stories). What would replace the novel? Something which would produce a ludic experience for hours at a time — a movie. But movies have not succeeded in killing off the novel. They’re too expensive and too complicated, and major players control the distribution channels. The best they could do was to absorb years of talents like Chandler and Faulkner.

But now we have kids who don’t read, the Web, game engines, and the writers’ strike. Game engines and machinima make it possible for writers to produce and direct their own work without actors or sets, for a relatively modest capitalization (a game machine). The Web provides free distribution. Kids provide a hungry audience. But the wild card here is the WGA strike. Suddenly all the folks who normally spend their days creating teleplays are looking for other outlets for their creative energies. Maybe write that novel they’ve been talking about? Maybe not. People like Rob Long (Cheers) are suddenly blogging. Maybe someone will tell them about machinima. We may be entering a twilight for the popular novel, perhaps relegating it to a niche more like opera.

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In a neat confluence of recent posts on both Squeak and book marketing, Squeak by example is being made available as a free PDF or in printed form via lulu.com. Cool.

Big ups to open… for the tip.

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