A golden view

So I’ve been a pretty good boy while here in Minneapolis, and have left my camera back at the B&B every day, focusing instead on important things like course prep. Yesterday, though, I gave myself one day of photography, focusing on St. Anthony Falls, the Mill District, the Mill City Museum, and the Guthrie Theater.

While I was in the Guthrie I made my first trip up to the 9th floor where the Dowling Studio is. The 8th and 9th floors are mostly for education and cutting edge work, and the architect felt that this called for yellow windows to ensure that the people working there always had a "sunny" view. I’m not sure I buy that argument, but I must say that they provide a really amazing view of the city, including this shot back across to the old Mill District and the great Gold Medal Flour sign. So the weird colors here aren’t my doing, and nothing in Photoshop, but are the result of shooting through several inches of yellow-tinted glass.

If you’ve been to the Guthrie, but never been up to the 9th floor, I definitely recommend it. To get there you have to catch an elevator at either the 4th or 5th floor (only staff can use that elevator to go to the 1st floor) and head up to the 9th floor. It’s totally cool to go there, because that’s how you get to the Dowling Studio, which is the third and much smaller theater at the Guthrie. I was there in the mid-to-late-afternoon, and the light was really interesting, but I suspect that it changes quite a lot all through the day.

In all my wandering around I also learned a ton about the origin of Minneapolis (which I’d known almost nothing about). I’d always assumed the Cities were here primarily because of the confluence of the Minnesota and Mississippi rivers, but no! Minneapolis is all about the water power of St. Anthony Falls, the only waterfall of note on the entire Mississippi River. This initially powered sawmills which sliced up the northern forests into planks, and then drove the amazing flour milling industry that for 50 years made Minneapolis the largest producer of flour in the world.

Most of the old mills are gone, but there’s are bits of a few, including this old General Mills grain elevator and the shell of the adjacent mill that now houses the Mill City Museum.

Fascinating stuff, and a really fun day of taking photos.

Conveniently yesterday’s prompt from The Daily Shoot was

Make a photograph that features a sign of some sort today. Maybe a stop sign. Maybe an information sign. Or an advert.

Hey, I took a lot of photos of signs (many, in fact, of this wonderful Gold Medal Flower sign), so here you are.

Ramesses II at the British Museum

They’ve finish 4 weeks (or 20 episodes), and the objects and their stories have been consistently engaging and informative. Some standouts have been the carving of the swimming reindeer, the Egyptian clay model of cattle, and the Rhind mathematical papyrus, but it’s awfully hard to choose favorites when the quality has been this good. If I had to pick just one out of what they’ve broadcast so far, it would probably be the Jomon pot episode. This type of pottery changed the way we understood the development of this crucial technology, and the way these objects were revered in Japan thousands of years later is quite wonderful. This particular pot, made some 7,000 years ago, was valued so highly a few hundred years ago that it was lined with gold and incorporated into the tea ceremony.

I’ve been to the British Museum several times over the years, and taken way too many photos there. (A few on my “main” Flickr account, and way too many on my events account.) One thing that’s been cool about the series is that in the first 20 episodes there was only one object that I remember seeing and actually photographed: The statue of Ramesses II up above. He’s huge and pretty hard to miss there next to the Rosetta Stone. Many of the objects in the series have been small and subtle, however, which nicely illustrates the value of a cool program like this. Some objects are pretty remarkable in and of themselves, but others benefit enormously from a guide who suggests we slow down and really look at this stone or that statue. Here MacGregor and his guests help us understand the significance, context, and impact of these objects, and totally make me want to go back to the Museum and seek these treasures out.

There are some other objects in the series that I’ve seen and photographed (such as the Assyrian Reliefs below), but most of them will be new to me. I’m eagerly looking forward to the remaining 80 episodes!

Detail from Assyrian Reliefs in the British Museum

In fairness, I think the opening trick on the cast iron fence is perhaps the best thing in the video, but it’s totally worth the price of admission – hard for me to imagine doing such a thing.

Then, for a little context, check out this Edison footage of bike tricks from 120 years ago. Sure, it’s not MacAskill, but it’s a whole ‘nother era in terms of gear, both bike and camera, and it would be interesting to see what Neidert was able to do without the constraints of a small stage and a short one-take camera set-up.

I don’t remember who on Twitter tipped me to the MacAskill video; vitjan via Shadowhand gets the thanks for the Edison footage.

But I have a President that doesn’t suck, and that ain’t a bad thing.

Cheers and best wishes to all. Check out WhiteHouse.gov; I know it’s all symbolic at this point, but it’s something to see his face and name there.

Now let’s get to work, folks.

Common working people has got to take the seat
in Washington, in Washington.
And I’m gonna tell you workers
‘fore you cash in your checks
they say America first but they mean America next
in Washington, in Washington.
— Woody Guthrie, “Lindbergh”

Is it annoying if we keep wrestling with the same issues, or does it just mean they’re eternal?

Last night we went on an very nice night-time (started at 9:30pm) guided walking tour of Cordoba. Our two hours of walking through the old part of the city included two bits where an actor appeared in the dress of local figures: first the 20th century painter Julio Romero de Torres, then and the 12th century Jewish philosopher Moshe ben Maimon or Moses Maimonides. "de Torres" appeared in Plaza del Potro, which was many centuries where horses were traded ("potro" = "colt"), and which apparently features in Don Quixote. This history and the name are commemorated by a statue of a colt above a fountain in the plaza, which cast this cool shadow on the wall of the building that houses the Museo de Julio Romero de Torres.

Tomorrow we take the train back up to Madrid, and then fly back to the UK, where we have a week with WeatherGirl’s mum before heading back to the U.S.! We’re happy, tired, excited, and sad all rolled up into one.

Ciao!

If you’re never been over to BibliOdyssey I highly recommend a visit. The sub-title for the blog is “Books~~Illustrations~~Science~~History~~Visual Materia Obscura~~Eclectic Bookart” which, well, sums it all up rather nicely. Lots of neat old illustrations, often (but not always) on scientific themes. The themes are interesting, the background info excellent, and the images are frequently just too cool.

The image above is from some of the earliest high quality mapping of Mars in the late 1800′s by Giovanni Schiaparelli, and is part of a really neat set of early modern maps of the red planet. Peacay (BibliOdyssey’s curator) has once again pulled together some great images that are really wonderful to look at in and of themselves, as well as being really cool historic and scientific documents.

Schiaparelli’s (in)famous ‘canali’ turned out to be a kind of optical illusion caused by interactions between light, dust clouds that form in the martian atmosphere, the orbital location and background interference from the planet’s surface itself. If a sketch is made of something that wasn’t really there but you believed it to be there at the time, can you call the result abstract art I wonder? I guess so.

I concur.

We just got back from a really fine week at Methwold Old Vicarage, a wonderful Landmark Trust property. The house dates to 1490-1510, and is quite beautiful inside and out. For an American like me, the idea of sleeping in a house constructed in the time of Columbus’s voyage is just too amazing.

The brick front is a veritable sampler of ornate brickwork from the period and remains a real show piece. There are gorgeous carved beams inside, and cool remnants of late 16th century wall paintings in the main bedroom upstairs that are museum quality. And we slept in that bedroom.

Wow.

We’re totally hooked, and definitely planning another Landmark Trust stay before we return to the States this summer!

I have an utter ton of photos. I’ll be posting some to my “main” Flickr account as I have time process them, and I’m also dumping a bunch of unedited shots to my events account. The shot above is a panorama constructed from six different photos of the house. The brick front faces almost due north, so it’s difficult to get any good light on it. This is in the late evening when the sun had almost swung far enough around.

A mentioned earlier, our friend Jane stayed in Peake’s House, a wonderful old Landmark Trust property here in Colchester. This photo is Jane, Sub-Evil Boy and WeatherGirl as they walk towards Peake’s House (the half-timbered building on the left) in the evening.

We were so inspired by that great house, and the wonderful collection of properties being preserved (and made available) by the Landmark Trust that we promptly booked a stay in one during Sub-Evil Boy’s term break. So soon we’re off to Methwold Old Vicarage, which should be really fun. Between that and some looming deadlines, though, not much on-line time for a week or so. Just thought I’d warn you.

Back soon, though!