3.1415927 reasons to tune in to KUMM (on- or off-line)

Posted in Education, Music, Photography, Radio on February 19th, 2008

Fri 4-6pm at KUMM (Spring 2008)

  • They have a fancy new redesigned web site.
  • You can check out cool photos like the one above in their new gallery.
  • They have the schedule on-line so you know who you’re listening to!
  • They’re way cooler than the lame radio station that those other people are listening to.
  • You know you want to listen to a station where the DJs have that many CDs to play with.
  • We’re in Britain, so you’ll almost guaranteed not to hear our voices for several months. (It’s not 100%, though, because the promo spots that we’ve done over the years have a habit of turning up now and then.)
  • Cory Funk (a mighty and wondrous KUMM alum) is back on the air and has a killer 1 hour show at 5pm (Central time) on KUST. (Yeah, I realize that I’m plugging another station here, but Cory wouldn’t be that amazing without all his KUMM experience, now would he?)

I enjoy listening at what are very odd hours back in Minnesota and then IM’ing requests. It really messes with their heads to have profs listening at 3am…

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3 for the Festive 50

Posted in Events, Music, Radio on November 30th, 2007

Cover of Tessuti by Paolo Angeli
The wonderful John Peel used to organize the Festive 50 each year, where listeners would vote for their 3 favorite songs of the year, restricted to songs that Peel had actually played on his radio show. The results would be tallied, and he would then play the 50 top vote getters over two consecutive nights in late December. These were some amazingly great shows, and I can’t begin to recount how many of my favorite songs I first heard via his Festive 50 shows.

The folks at Dandelion Radio are trying to continue the tradition, and voting ends tonight, so rush on over there if you’d like your voice to be heard. (They say the voting ends at midnight, but they don’t provide a time zone. I’m gonna assume GMT unless someone out there knows different.)

I’m glad they’re making the effort, and I’m gonna vote, but I must say that I’m not entirely convinced. One of the things that was cool about Peel’s Festive 50 was that it was restricted to things he’s played on his show. Thus it “felt” like him even though the listeners chose the tracks and their order. Here it’s a free-for-all, so I’m not at all sure what it’s gonna sound like. I look forward to listening after Xmas, though.

So, choices, choices…

Getting down to 3 is really hard. And any list I make is likely to be skewed to the first half of 2007 since I haven’t been listening to nearly as much new music since we came to the UK (and left KUMM behind for the year). All that said, and after much agonizing, my choices are gonna be:

  • Sage Francis - “Going back to rehab” from Human the death dance
  • Mavis Staples - “99 and 1/2″ from We’ll never turn back
  • Paolo Angeli - “Ahead in the sand” from Tessuti

Some serious contenders included:

  • Jawbone - “All want Jesus name”
  • Artichoke - “Anarchy in the UK”
  • Anais Mitchell - “Hobo’s lullabye”
  • Biota - “Pack-a-penny day”

All three of the albums that my top three came from are great, but I think I’d have to choose Tessuti as my fave album of the year, with the other two coming a very, very close second. Angeli’s music has such depth, power, and finesse that I find myself drifting to the language of classical music to describe it, and I mean that in the best possible way. Profound and wonderful stuff.

The albums by Sage Francis and Mavis Staples are also incredibly powerful, if in very different ways to Tessuti. Francis’ work is so full of intelligence and perception that it makes my head spin, and even after many months Sub-Evil and I still love jamming out to almost anything from this album. (He, in fact, argued quite cogently for “Civil Obedience” from this disc, but in the end I had to go with my gut and choose “Going back to rehab”.) Staples’ voice is rich and powerful, projecting all her years of experience as a musician and civil rights activist. An album like this could have sounded like a museum piece, retreading songs that were important decades ago. In her hands, though, these songs are fresh and powerful and relevant. Truly great stuff.

Go enjoy some music, and consider voting if that’s your sort of thing.

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