I am … unhindered by talent

We just finished two consecutive day trips to London (Friday and yesterday) and I’m thoroughly tired, and full of undigested photos. This fellow, one of the few I have processed, is from the Egyptian mummification exhibit at the British Museum (Rooms 62 and 63).

On Friday we started down in Greenwich. It was our first time through the Docklands on the DLR — it would be nice to walk those canals and take photos — and our first time to the Royal Observatory and the Prime Meridian. I wish we’d had more time there - it was a beautiful day and there was a ton of cool stuff one could see. Time was tight, though, so we zoomed off to the British Museum before rush hour hit, and spent the rest of the evening there.

While WeatherGirl wandered the museum, however, Sub-Evil and I snuck off and bought tickets for Avenue Q at the Noël Coward Theatre for the following night. He’s been keen to see that ever sense we got here, and it was nice to finally make that happen, but it did mean two consecutive days into London, which is frankly pretty tiring.

Yesterday Sub-Evil and I started at the Petrie Museum of Egyptian Archaeology on the UCL campus. Sub-Evil is very into Egyptian history, writing, artifacts, etc., so he really wanted to see this. It’s a very cool collection, but pretty desperately in need of a new home, with the collection crammed into old victorian cabinets and spilling down an emergency exit staircase! Next was the British Library, which was just tremendous! The King’s Library alone was worth the (free) price of admission, and the display of the treasures (Magna Carta, illuminated manuscripts, handwritten scores, drafts, diaries, and letters by amazing folks) was really wonderful.

After all that we grabbed some dinner and then headed off to Avenue Q! We both had listened to the soundtrack about a zillion times, so there weren’t a lot of surprises. The production was tons of fun, however, and watching the puppet masters sing, dance, act, and run the puppets at the same time reminded me of the line about Ginger Rogers doing everything Fred Astaire did, but backwards and in high heels :-).

Now we pack and organize, for tomorrow we’re off to Methwold Old Vicarage for our first stay in a Landmark Trust property!

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The three of us saw an excellent production of Shakespeare’s Coriolanus two weeks ago at the Mercury Theatre (see WeatherGirl’s excellent report), and last night we saw the companion piece, Julius Caesar.

One of the cool things they’ve done is use an all male cast for Coriolanus, and an all female cast for Julius Caesar. Both groups did a great job, and it was wonderful to see how quickly we came to see them as their characters, regardless of their gender. No particular effort was made to act like a man/woman, so no camp voices or crotch scratching. The focus instead was on the text and the characters, and they did a really fine job, showing how a powerful, honest delivery of the text can sell the characters irrespective of the physical bodies they inhabit.

I was also struck by how contemporary the language sounded in Coriolanus. Often Shakespeare can sound very Shakespeare, and you’re constantly reminded that you’re watching something old. Here, however, the (unaltered) text came off as much more contemporary, a tribute again to the quality of the cast and direction.

One might reasonably wonder why they chose to use these mono-gender casts. A decision was made to do Shakespeare’s two roman plays (Colchester is, after all, the ancient roman capital of Britain), while independently a list was being gathered of company members who wanted to participate in this fall’s season. The company list was roughly an even split on gender (a good sign and certainly not to be assumed, even today), while (not surprisingly) the list of parts was greatly imbalanced in favor of the gents. The two women that were organizing the productions (each directed one of the two plays, and assisted with the other) decided to boldly go, and chose to cast both plays along gender lines. Based on the performances, listening to the cast talk about their experiences, and the reviews, it must be regarded as a great success.

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