This weekend was the world premier (doesn’t that sound grand?) of our son Thomas’s play “The House of Atreus”. He wrote the play for the Morris Area High School (MAHS) folks to perform as their entry in the annual One Act competition, and it was a really wonderful opportunity to give back to the theatre program that was so valuable to him during his time at MAHS.

The play is a challenging one to perform, involving a lot of monologue from the four leads, and a lot of synchronized response from the chorus. There’s not a lot of action, as the play emphasizes ideas instead of car chases and love scenes. The cast really rose to the challenge, though, and managed to own these complex concepts and stories.

I’m particularly grateful that teacher/director Seth Kelly was willing to work with Tom on this. Not everyone would be willing to take a flyer on a still-being-written play by a college student. Mr. Kelly, however, was incredibly supportive of Tom’s writing, and was then able to help his student actors inhabit these complex characters and make the play really work on the stage.

All this would have been totally wonderful if all that happened were the two performances at the high school. Today, however, they took the play to the one act sub-sections and won first place! This qualifies them to go on to sections next Saturday (8 Feb). If they can take first there as well then they perform in the state event on Friday the 14th! Taking first at sections is tough as the competition is likely to be stiff, but a parent can hope :-)

Congratulations to Thomas for writing such a cool play, and to all the MAHS folks that brought it to life on the stage!

We really liked Mr. Kelly’s description of the story in the program:

This bold and honest Greek drama is a tragedy within a tragedy, focusing on Agamemnon’s children. Agamemnon, a hero of the Iliad and the Odyssey, has no shortage of heroic feats and triumphs under his storied belt, but his children’s struggles are more complex. In popular mythology, these four siblings are rarely given depth, often acted upon as pawns, and usually treated as victims rather than individuals. This play gives them the voices they lost millennia ago.

Iphigenia, Chrysothemis, Electra, and Orestes must face the terrible realities of their existence in order to make peace with their lives. As they bravely face the trauma of their pasts, they grasp for hope’s elusive grip. The truths they stumble upon along the way are as relevant today as they were in ancient Greece.

and his “Director’s Note”:

I knew that selecting a Greek play for our One Act this year was ambitious. After all, stripping actors of all physical objects and elaborate scenery leaves them with little but their own dramatic imaginations to carry the story. That said, at the production’s onset I couldn’t have fathomed the intensity we eventually found in these stories and characters. I’m tremendously proud of our cast and crew, and I would never have burdened them with such a complex and challenging script if I didn’t have faith in their ability and dedication.

We are pleased that this year’s show was written by MAHS alum Thomas McPhee, who currently studies Theatre and Writing at Hampshire College in Amherst, Massachusetts. I am delighted that his passions have continued to inspire us beyond his tenure here, and I sincerely hope this won’t be the last time he lends us his talent.

It is also worth noting that, as in all Greek tragedies, very weighty themes abound in this show. At its best, tragedy informs the audience how we might improve the business of our own fleeting lives, therefore an ever-present, foreboding sense of mortality drives these stories. We recognize that these concepts might be difficult for younger children to digest, so please don’t feel locked in to your ticket purchase if, knowing this, you’d rather not have your children hear about violence, war, sacrifice, death, and revenge. We understand! The ticket taker can refund you if you leave before the show begins.

WeatherGrrrl and I capped off our day in the Twin Cities yesterday with showing of “Other desert cities” at the Guthrie Theatre. With one exception, the play was quite splendid. The opening section of incredibly funny in a quite dark sort of way, as a family reunited for Christmas dance and spar with each other as a prickly kind of getting reacquainted. It then gets increasingly serious, tense, and emotionally wrenching as both the past and the future of the family are explored in ways that are in turns explosive and tender.

The director and five person cast does a great job with an intelligent and perceptive script, conveying rich complex characters that could easily become stereotypical and 1-dimensional. The set did a wonderful job of capturing the spirit of a well-heeled, old-guard GOP operative home in Palm Springs, and gave the proscenium space a real depth and scale.

My one nit to pick is the very end scene. Without saying much because I don’t want to spoil, I found the last scene to be weak and lacking the emotional punch of the rest of the play. I’m not even sure it was all that necessary, and could perhaps have been left off altogether. While it’s unfortunate to end on a weaker note, the vast majority of the play is quite excellent and totally makes up for that thin spot.

The play ends this weekend (24 March), so get tickets while you can!

So I’ve been a pretty good boy while here in Minneapolis, and have left my camera back at the B&B every day, focusing instead on important things like course prep. Yesterday, though, I gave myself one day of photography, focusing on St. Anthony Falls, the Mill District, the Mill City Museum, and the Guthrie Theater.

While I was in the Guthrie I made my first trip up to the 9th floor where the Dowling Studio is. The 8th and 9th floors are mostly for education and cutting edge work, and the architect felt that this called for yellow windows to ensure that the people working there always had a "sunny" view. I’m not sure I buy that argument, but I must say that they provide a really amazing view of the city, including this shot back across to the old Mill District and the great Gold Medal Flour sign. So the weird colors here aren’t my doing, and nothing in Photoshop, but are the result of shooting through several inches of yellow-tinted glass.

If you’ve been to the Guthrie, but never been up to the 9th floor, I definitely recommend it. To get there you have to catch an elevator at either the 4th or 5th floor (only staff can use that elevator to go to the 1st floor) and head up to the 9th floor. It’s totally cool to go there, because that’s how you get to the Dowling Studio, which is the third and much smaller theater at the Guthrie. I was there in the mid-to-late-afternoon, and the light was really interesting, but I suspect that it changes quite a lot all through the day.

In all my wandering around I also learned a ton about the origin of Minneapolis (which I’d known almost nothing about). I’d always assumed the Cities were here primarily because of the confluence of the Minnesota and Mississippi rivers, but no! Minneapolis is all about the water power of St. Anthony Falls, the only waterfall of note on the entire Mississippi River. This initially powered sawmills which sliced up the northern forests into planks, and then drove the amazing flour milling industry that for 50 years made Minneapolis the largest producer of flour in the world.

Most of the old mills are gone, but there’s are bits of a few, including this old General Mills grain elevator and the shell of the adjacent mill that now houses the Mill City Museum.

Fascinating stuff, and a really fun day of taking photos.

Conveniently yesterday’s prompt from The Daily Shoot was

Make a photograph that features a sign of some sort today. Maybe a stop sign. Maybe an information sign. Or an advert.

Hey, I took a lot of photos of signs (many, in fact, of this wonderful Gold Medal Flower sign), so here you are.

While it’s really hard to describe and summarize such a complex performance, a section I particularly loved had them doing a somewhat traditional dance to a large chunk of the audio from the video below. The video is of an art installation by Nate Harrison where the viewer listens to the audio on an LP, where Harrison discusses how a drum break from the The Winston’s 1969 B-side “Amen, brother” (often referred to now as the “Amen break”) has been sampled, re-used, and deconstructed in hip-hop and commercial advertising. Harrison’s discussion is a really nice piece of cultural history and analysis, although I confess it was perhaps more compelling with casebolt and smith dancing at the same time.

It would have been interesting in its own right if casebolt and smith had simply danced with Harrison’s commentary. They took it up a notch, however, by following it up with a really interesting dance/discussion of how dancers use and re-appropriate moves and steps they learn in classes and see in performance, effectively “sampling” movements much like a hip-hop artist samples beats. She demonstrated various moves and styles, and he then grilled her about where she learned the moves, and on the appropriateness of re-using these moves without credit or payment. This quickly borders on the absurd, which is of course the point. The courts have allowed labels to charge for re-use of tiny fragments of recordings, where there are no such expectations in dance. Presumably a key piece of this is the ability to record (either on paper or as an audio recording) and distribute music, where dance can’t be recorded and copied in the same way.

In short, it was a cool, funny, intelligent performance. We had a great time, and highly recommend the show.

I found it really interesting to find that the YouTube version of the video above was in fact lifted from Harrison’s web site without his permission, although he says in the comments that he doesn’t care (search for “nkhstudio” in the full comments). So you have Harrison making a commentary on copyright and intellectual property, which is then appropriated by someone else and turned into a YouTube video. Then casebolt and smith use it in their performance, without ever telling us where that audio comes from, as a starting point for a great conversation about intellectual property. And while it’s possible they knew about the Harrison piece before it showed up on YouTube (Harrison was a friend from college for all I know), the odds favor them discovering the piece via YouTube, where it has over 2 million views.

So…

• Now I’ve listened to “Amen, brother” (a song I’d never heard of)
• because of a dance performance
• borrowing parts of an audio track
• which I was able to find via Google
• as a YouTube video
• generated (without permission) from a video by a performance artist commenting on intellectual property and copyright
• using as a springboard the extended and repeated use of a 6 second drum break from The Winston’s “Amen, brother” in hip-hop and advertising

What a wonderful example of how re-appropriation can enrich the world, especially if we worry less about profit and more about gain.

Tuesday we saw James T. Wilson, a two person show including Stanton Pavlicek in the title role. We know Stanton and his family from Morris (his dad was a huge help in building an enormous frame to hold up our gargantuan honeysuckle vine), and it was cool to see two 18-year olds just out of high school in this setting. The show itself was still struggling to become, and while there was a of potential, it’ll need some more work to realize that possibility.

Thursday we saw Speech!, an absolutely hilarious comedy about the goofy (and often twisted) world of high school speech competitions. The writing and performances were tres sharp, and the audience was rolling in the aisles from the start to finish. This show has received a number of well deserved nominations, including a best male performance for our friend and UMM alum Tim Hellendrung! Tim’s did lots of cool improv back at UMM (as well as being an excellent manager for the campus radio station), and has continued to develop at Comedy Sports in Minneapolis. It was great to see him do such a fine job in a great ensemble production like this. Big congratulations to Tim and the entire cast and crew!

Last night (Friday) we saw what will sadly be our last show, because we head back to Morris this afternoon so Tom can hang with his friends some before we come back to the Cities Sunday night. We went out with a bang, though, catching the amazing O(h) by casebolt and smith, a two person show unlike any dance performance I’ve ever seen before. They combined some great dance with liberal splashes of spoken word and singing, providing a rich piece of performance than transcended any simple notion of genre. There was wonderful (often comedic) commentary on both culture in general and dance in particular, creating a really fun experience that was also chock full of food for thought. They also received a number of nominations, and our group (two straight guys and a woman) all agree that a sweaty Joel Smith in Superman briefs is hot!

There’s a great section in this performance about intellectual property that inspired a long enough commentary that I’ve moved to it’s own post. It’s not often in my experience that a dance performance explicitly opens these kinds of doors, so check it out.

Thomas is one of the 20 or so kids from the upper mid-west that have been selected to participate in the Guthrie Theater Shakespeare summer workshop next month. Cool, eh? This means that he and I get to spend 9 glorious days in Minneapolis, with Tom going off to study acting with really top notch actors and directors, and I hang around doing course prep and verifying that people still say inane but distractingly amusing things on the Internet. (Sue, in the meantime, gets another 9 days of quality time with the cats.)

We got a pretty good deal at the Faculty House and will be staying there except they couldn’t put us up until the 11th. That means that we’re looking for a place or places to crash for the nights of the 9th and 10th of August. Anyone in the Cities got a couch or two we can plop on? We can arrive pretty much whenever on the 9th, and he has to be at the Guthrie by 10am both the 10th and 11th, so proximity to the Guthrie isn’t a particular necessity.

Also, if any Cities folks want to do lunch or dinner or some such, let me know and we can make arrangements!

I did indeed take a bunch of photos, and posted just over 600 of the least blurry of them on Flickr yesterday. This is no big deal – I do lots of events and post piles of photos like this all the time.

Except this time the view count just went totally through the roof. My events account typically gets a few hundred views a day, with small spikes when I post a new set. 1,000 views, though, would be a big day for that account.

I’ve had over 5,000 views today, the vast majority of which have been on the Fashion Trashion photos.

I’m quite thoroughly gobsmacked, and not entirely sure where all the traffic is coming from. I’m thinking a lot of it is via Twitter, but it’s not really clear.

I suspect that the total lifetime views of my photographs pre-digital/Flickr might have been than 5,000, so to have 5,000 views of my work in one day is pretty amazing. I’m most grateful for the attention – thanks!

Flickr’s “day” just rolled over, and we peaked at 5,600 views for the 24 hour period. I’ve probably never seen anything close to that, and may never again. Crazy.

Thomas qualified for the state finals last year (along with MAHS student Alex McIntosh), so we had the good fortune to attend last year’s event. The quality of the performances was really exquisite, and I highly recommend the event to any fans of poetry and literature in the area.

Tim Ostby (the other MAHS student this year) placed fifth at the regional. Congratulations to him and all the other students that performed last night! While there were fewer competitors at the regional than last year, the quality of the performances was considerably stronger, and the venue (A Center for the Arts in Fergus Falls) was vastly better than last year’s (a classroom at a regional community college).

A huge thanks to David Johnson, drama coach and english teacher at MAHS. Dave’s been a huge influence and support for Thomas in both theatre and Poetry Out Loud. It’s greatly to Dave’s credit that MAHS has had a student in the state finals of Poetry Out Loud each of the last four years (which is every year MAHS could have competed), with two in last year’s finals. Further, every MAHS student that’s gone to state has placed in the top 6: Anika Kildegaard took 2nd in 2007, Mary Hu won the state competition in 2008 and went on to the National Finals, and Alex McIntosh placed 4th and Thomas McPhee 6th in 2009. In fact Morris is the only high school in the state to place four students in the top 6 from 2007-2009, with no other school has placing more than two. Not a bad track record for a small rural high school. Thanks a ton to Dave for all his support and assistance!