Gotta see the polka dude discover zydeco

Promo still from \'Schultze gets the blues\'
This week Ebert choose “Schultze gets the blues” as his video pick of the week. I’d never heard of the film before, but now I’ve just got to see it. A German polka accordionist who discovers a love for zydeco late in life through a chance snippet on the radio? And travels from Germany to the bayou to check it out?!?

This is so cool it makes me all incoherently happy. It comes out Tuesday on DVD and I’m already arranging to get a copy to watch with my FYS students.

Rock, rock on!

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A bunch of recent reviews by WeatherGirl

WeatherGirl‘s been busy recently and caught up on some film and event reviews. I’d been meaning to say something about some of these and haven’t had time, so I’ll point you to her excellent words instead!

  • Sideways: I think I liked the film more than she did, but not so much as to explain the enormous buzz (critical and Oscar), especially when Kinsey got so much less attention.
  • King Arthur (on DVD): So much possibility, too much unrealized. Kera Knightly is so cool, as is the battle on the frozen lake.
  • Hide and seek: I figured out even less than WeatherGirl (although I felt like I should have figured it out) and was thoroughly creeped out. Not as good a film as, say Sixth sense, but very high on the raw scary meter.
  • Kinsey: I could write a book about this, but won’t. Really good film about a very important person, and powerful portrait of the kind of passion and commitment (and accompanying myopia) that is involved in seeing a major (and controversial) project like that through.
  • Turn of the screw: Very cool play nicely done. Remarkable how much breadth and depth they got from such a simple setting and a fine two-person cast. Kudos to The Acting Company for a truly fine production, and to PAC for bringing it to Morris!

Thanks to WeatherGirl! (Even if she drags me to creepy movies like Hide and seek which clearly shorten my life expectancy :-).)

Currently listening to: The shunned country by Bob Drake

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