The complexity of Sam Cooke’s music

I was confused by some gaps in the iTunes music store (more on this in a later post), and ended up digging into the state of Sam Cooke re-issues, and found a pretty complex picture.

Cooke made some of the best and most influential gospel and early soul music in the late 50’s and early 60’s before his untimely (and somewhat bizarre) death in late 1964. We bought The man and his music back in the early 90’s, which is a tremendous overview is his career, starting with his gospel work with the Soul Stirrers, running through a bunch of his great soul hits, and ending with “A change is gonna come”, one of the best songs to come out of the Civil Rights Movement.

I discovered tonight, however, that the iTunes music store didn’t have “A change is gonna come”. Wow. They have five albums by Cooke, including a single disc Greatest hits and a box set entitled The man who invented soul music. Both of these are on RCA, which is the label of The man and his music, so it wasn’t clear why they didn’t include what is widely regarded as one of Cooke’s best and more important songs. WeatherGirl guessed that it was probably to do with permissions and licensing, and turned out (once again :-) ) to be right.

A very helpful review on Amazon of the box set by Paul Williams (who was in fact the producer on the project) explained that the rights to the recordings from Cooke’s last year (including “Change”) had all reverted to the Abkco records. This means that A man and his music is no longer available, and explains why RCA hadn’t included them in either of their collections.

Happily, in 2003 Abkco released Portrait of a Legend 1951-1964 that has a very similar playlist to The man and his music (including “Change”), and apparently has much better audio quality. To be honest, I’ve never objected to the audio on A man and his music, but the reviews are all pretty adamant that both the box set and the Abkco collection sound much better. Unfortunately, I’ve not actually heard any of these more recent collections, so I can’t actually comment on their sound quality or contents.

I can say with complete confidence, though, that Cooke’s work remains some of the most wonderful music made in the 20th century. Songs recorded over 40 years ago, and which I’ve been listening to carefully for over 10, still sound fresh and captivating. The great shame, perhaps, is that for most people this brilliant music has been relegated to “Golden oldies” elevator music. This only serves to drain the life from songs that in their day must have both made parties happen and totally changed people’s sense of the possibilities of music, and perhaps life itself.

The Man and His MusicThe Man Who Invented Soul [Box Set]Portrait of a Legend 1951-1964

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Singing in public again: Sad but true

CAC Concerts has been hosting a series of open mic nights this year (a first at UMM in my memory). Lots of students I know (mostly from FYS) have been going, performing, and saying cool things about the event, but for various reasons I’d been unable to attend. I finally went tonight (not that I had time, but that’s another story) and it was really quite a lot of fun. John did his wondrous Tom Waits-Captain Beefheart singing, Grace was again splendid, Eagan was every bit as good live as I’d been led to believe, and Huck sang a crazy fun song about the advantages of an arachnid girlfriend. And that was my undoing.

I hadn’t really intended to perform (although I confess to having thought about it), but once Huck sang about wanting a spider for a girlfriend, I just had to sing the fly song. I was a lot of fun, though, and the audience was very appreciative, which was definitely cool. I’m looking forward to telling SubEvilBoy tomorrow morning what a hit our song was :-). I also sang “Get along little doggies” (had to get an old song in there), and it was politely received, but clearly not as popular as “Hey hey fat fly”.

In further support of the claim that no good deed goes unpunished, I’ve been asked to MC the next event (24 Feb). Not 100% sure I’ll be able to do it, nor do I know how much performing I’ll do while I’m up there, but it was nice to be asked and I’ll certainly try to make it fit in the schedule.

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