Joint art show with WeatherGrrrl opens 12 Feb!

Sue and I will soon be hanging our first collaborative art show next week at the Prairie Renaissance Cultural Alliance (PRCA) Gallery. The show opens 12 Feb, and there is a reception Sunday, 16 Feb, from 7-8:30pm.

Promo card for the joint show at the PRCA with WeatherGrrrl

In a desperate bid to not to be outdone by our amazing progeny, Sue and I will be hanging our first collaborative art show next week at the Prairie Renaissance Cultural Alliance (PRCA) Gallery! The kind folks at the PRCA actually approached us about doing a joint show last year; there really wasn’t time to put it together then, but we agreed to do something this year.

In many ways the “simple” approach would have been a combination of Sue’s recent sculpture and my photography. We really wanted this to be a collaboration, though, and over the course of the year we worked together on a collection of photographs documenting her use of her body (in particular her head) as a canvas. Thousands of photographs were taken (over 7,000 in a single three month period!), forming the source material for the pieces that we’ll be hanging. Sue laid out the tableaus, I shot the hell out of them, and then we worked together to figure out what images to use and how.

Portraiture is one of the oldest of artistic disciplines, often providing an “objective” (or at least objectifying) view of the individual. These images examine an artist, Susan Gilbert, at work, capturing her use of her own head as canvas. Some of the photographs are disconcerting both in their underlying subject, and in their focus and presentation. Some are overtly political in their content, while all comment on how we see those around us and respond to change. No single image is the “true portrait” of the artist; they are all fragments of a whole, distorted by the cultural lens through which they are viewed.

The show includes the biggest photographic prints we’ve ever made (the largest is 60″x40″) and it’s quite something to see the work (and Sue’s head) that huge! We also have a diptych of collages that are 6 feet tall and together over 8 feet wide, so we definitely decided to “Go big or go home!”.

We’ll hang the show next Saturday (8 Feb) and the show will open on the 12th. There will be a reception at the gallery on Sunday, 16 Feb, from 7-8:30pm, where you’ll be able to publicly question our sanity while eating nummy snacks!

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Such a gift: 24 years with WeatherGrrrl

One of Sue's cool art books
One of Sue’s cool art books

…a commodity has value and a gift does not. A gift has worth. – Lewis Hyde

Tomorrow (24 June) marks the 24th anniversary of our marriage!

There are so many things I’m grateful for, and no way to enumerate them or document them here, so I’ll settle for an example.

Among her many “strangely inventive” artistic talents, Sue makes books. Wonderful, handmade books, where she cuts and folds all the paper, sews together the signatures, builds the cover, and glues it all together. Some of these are displayed in galleries, while others (such as the one pictured here) are notebooks or journals filled with blank pages inviting us to share our thoughts in word or sketch.

For the past several years, Sue has made such journals as high school graduation gifts for our and, more substantially, Tom’s friends in that year’s graduating class. As he moves on to college, the numbers are beginning to contract, but over the years she’s made many dozens of these books, often for people we didn’t actually know terribly well. That’s a lot of work, constructing by hand an object whose future is far from certain. She is, after all, making blank books, in an age where the future of books is at best unclear, an age where most are far more likely to send a text message or post on a blog [I’M LOOKING AT ME!] than to write a letter or keep a journal on paper.

Thus these are, in the true sense that Hyde means in the opening quote, gifts. As handcrafted pieces of art, they have clear worth, but their value (and how they are valued by the recipients) is quite uncertain.

Yet she keeps making them. In a flurry of activity every May between the end of the University school year and the high school graduation she cuts and folds and glues and frets. She picks out different papers to use as covers, and has Tom give her feedback on which covers would make the most sense for which graduate. She increases the worth of the world (if not its value) through these gifts, each of which is in fact a multiple gift. It is obviously a gift to the graduate, but this effort is also a gift to our son, and a thank-you to the families of these students who have been important to him.

And, to the point of all this, these are also a gift to me. For while each of these books is made by her and is officially a gift from Thomas, her work enriches us all and the glow it casts as it goes out into the world reflects back on our whole family even if it was her hands that did all the sewing.

So I say “Thank You”, for this and the untold gifts large and small that she has shared with me. It has been a truly splendid 24 years together, and I look forward to many more decades to come!

With all my love,

     – Nic

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