An interesting history of Red Cloud and a moment where the northern plains Indians briefly stemmed the tide of the U.S. advance across the west. Like so many of these histories, it’s frustratingly thin on material from the Indian perspective, despite the existence of an “autobiography” of Red Cloud that apparently played an important role in the writing of this book.

So I found the book interesting and I learned some valuable things about that history, but in the end really wanted to read Red Cloud’s “autobiography” directly.

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Looking back, it can be hard to imagine why people in the past just didn’t get it. Why they thought women shouldn’t be allowed to vote, and why blacks and whites couldn’t use the same restroom, or the same school.

The people that voted to supported these old ideas were not all Bad People going out of their way to work against the rights of others. I know some where my relatives, and I’ll bet that some were yours. Certainly, there were plenty of small-minded, mean-spirited people leading the charge, but they depended crucially on the passive support of numerous well-meaning folk who mostly just didn’t want to rock the boat or weren’t very comfortable with change.

Tomorrow in Minnesota we get a chance to vote on whether our state constitution should be amended in an attempt to block all future efforts to allow gays the human & civil rights of marriage, & the legal protections it affords. As you consider this amendment, it might help to ask yourself: How do I wish to be remembered? As someone who quietly stood with those who would limit the freedoms of those different from themselves, or with those who believe in liberty and justice for all?

And let us be clear: This is a human rights issue.

Sue & I have been married for over 20 years and she has been a full, equal, & wonderful partner in building our shared life. Her creativity and passion flows through our child, our home, and the experiences we’ve shared. I would hope that our community would recognize this and support her associated rights, which include critical things such as health coverage, our pension, and her right to speak for me regarding medical treatment. If, however, someone didn’t recognize her rights, she would have the legal backing of the state of Minnesota, which ensures the human and civil rights of a spouse in numerous ways.

Why should any committed couple be denied these same rights, regardless of their genders?

Which brings us back to the question: How do we wish to be remembered? Do we want to be remembered as supporting a last, desparete gasp of a group attempting to deny yet another group a basic human and civil right? Or do we want to be on the right side of history tomorrow, knowing, win or lose, that we voted to treat our fellow travellers humanely, with courage & justice?

So I urge you to Vote No. It’s a vote your grandchildren can be proud of.

I would also strenuously encourage you, for many of the same underlying reasons, to vote no on the proposed Voter ID amendment. I recommend that you check out Guante’s excellent video on the Voter ID amendment if you wish to learn more:

You might also want to check out MPR’s nice video on the huge amount of vagueness and uncertainty there is in the proposed Voter ID amendment:

So go vote tomorrow. It matters. I know that the weird math of the electoral college can make it seem like voting for president doesn’t matter unless you live in Ohio or Pennsylvania or Florida. And it can seem like incumbents have a lock on everything. But on either of these amendments, it could literally come down to a few votes. So don’t say your voice doesn’t matter. Don’t say you don’t have time. Don’t say no one cares. Instead be a voice, however small, for a more humane world.

Vote No on both proposed amendments.

So I’ve been a pretty good boy while here in Minneapolis, and have left my camera back at the B&B every day, focusing instead on important things like course prep. Yesterday, though, I gave myself one day of photography, focusing on St. Anthony Falls, the Mill District, the Mill City Museum, and the Guthrie Theater.

While I was in the Guthrie I made my first trip up to the 9th floor where the Dowling Studio is. The 8th and 9th floors are mostly for education and cutting edge work, and the architect felt that this called for yellow windows to ensure that the people working there always had a "sunny" view. I’m not sure I buy that argument, but I must say that they provide a really amazing view of the city, including this shot back across to the old Mill District and the great Gold Medal Flour sign. So the weird colors here aren’t my doing, and nothing in Photoshop, but are the result of shooting through several inches of yellow-tinted glass.

If you’ve been to the Guthrie, but never been up to the 9th floor, I definitely recommend it. To get there you have to catch an elevator at either the 4th or 5th floor (only staff can use that elevator to go to the 1st floor) and head up to the 9th floor. It’s totally cool to go there, because that’s how you get to the Dowling Studio, which is the third and much smaller theater at the Guthrie. I was there in the mid-to-late-afternoon, and the light was really interesting, but I suspect that it changes quite a lot all through the day.

In all my wandering around I also learned a ton about the origin of Minneapolis (which I’d known almost nothing about). I’d always assumed the Cities were here primarily because of the confluence of the Minnesota and Mississippi rivers, but no! Minneapolis is all about the water power of St. Anthony Falls, the only waterfall of note on the entire Mississippi River. This initially powered sawmills which sliced up the northern forests into planks, and then drove the amazing flour milling industry that for 50 years made Minneapolis the largest producer of flour in the world.

Most of the old mills are gone, but there’s are bits of a few, including this old General Mills grain elevator and the shell of the adjacent mill that now houses the Mill City Museum.

Fascinating stuff, and a really fun day of taking photos.

Conveniently yesterday’s prompt from The Daily Shoot was

Make a photograph that features a sign of some sort today. Maybe a stop sign. Maybe an information sign. Or an advert.

Hey, I took a lot of photos of signs (many, in fact, of this wonderful Gold Medal Flower sign), so here you are.

They’ve finish 4 weeks (or 20 episodes), and the objects and their stories have been consistently engaging and informative. Some standouts have been the carving of the swimming reindeer, the Egyptian clay model of cattle, and the Rhind mathematical papyrus, but it’s awfully hard to choose favorites when the quality has been this good. If I had to pick just one out of what they’ve broadcast so far, it would probably be the Jomon pot episode. This type of pottery changed the way we understood the development of this crucial technology, and the way these objects were revered in Japan thousands of years later is quite wonderful. This particular pot, made some 7,000 years ago, was valued so highly a few hundred years ago that it was lined with gold and incorporated into the tea ceremony.

I’ve been to the British Museum several times over the years, and taken way too many photos there. (A few on my “main” Flickr account, and way too many on my events account.) One thing that’s been cool about the series is that in the first 20 episodes there was only one object that I remember seeing and actually photographed: The statue of Ramesses II up above. He’s huge and pretty hard to miss there next to the Rosetta Stone. Many of the objects in the series have been small and subtle, however, which nicely illustrates the value of a cool program like this. Some objects are pretty remarkable in and of themselves, but others benefit enormously from a guide who suggests we slow down and really look at this stone or that statue. Here MacGregor and his guests help us understand the significance, context, and impact of these objects, and totally make me want to go back to the Museum and seek these treasures out.

There are some other objects in the series that I’ve seen and photographed (such as the Assyrian Reliefs below), but most of them will be new to me. I’m eagerly looking forward to the remaining 80 episodes!

In fairness, I think the opening trick on the cast iron fence is perhaps the best thing in the video, but it’s totally worth the price of admission – hard for me to imagine doing such a thing.

Then, for a little context, check out this Edison footage of bike tricks from 120 years ago. Sure, it’s not MacAskill, but it’s a whole ‘nother era in terms of gear, both bike and camera, and it would be interesting to see what Neidert was able to do without the constraints of a small stage and a short one-take camera set-up.

I don’t remember who on Twitter tipped me to the MacAskill video; vitjan via Shadowhand gets the thanks for the Edison footage.

But I have a President that doesn’t suck, and that ain’t a bad thing.

Cheers and best wishes to all. Check out WhiteHouse.gov; I know it’s all symbolic at this point, but it’s something to see his face and name there.

Now let’s get to work, folks.

Common working people has got to take the seat
in Washington, in Washington.
And I’m gonna tell you workers
‘fore you cash in your checks
they say America first but they mean America next
in Washington, in Washington.
— Woody Guthrie, “Lindbergh”

Is it annoying if we keep wrestling with the same issues, or does it just mean they’re eternal?

Last night we went on an very nice night-time (started at 9:30pm) guided walking tour of Cordoba. Our two hours of walking through the old part of the city included two bits where an actor appeared in the dress of local figures: first the 20th century painter Julio Romero de Torres, then and the 12th century Jewish philosopher Moshe ben Maimon or Moses Maimonides. "de Torres" appeared in Plaza del Potro, which was many centuries where horses were traded ("potro" = "colt"), and which apparently features in Don Quixote. This history and the name are commemorated by a statue of a colt above a fountain in the plaza, which cast this cool shadow on the wall of the building that houses the Museo de Julio Romero de Torres.

Tomorrow we take the train back up to Madrid, and then fly back to the UK, where we have a week with WeatherGirl’s mum before heading back to the U.S.! We’re happy, tired, excited, and sad all rolled up into one.

Ciao!

If you’re never been over to BibliOdyssey I highly recommend a visit. The sub-title for the blog is “Books~~Illustrations~~Science~~History~~Visual Materia Obscura~~Eclectic Bookart” which, well, sums it all up rather nicely. Lots of neat old illustrations, often (but not always) on scientific themes. The themes are interesting, the background info excellent, and the images are frequently just too cool.

The image above is from some of the earliest high quality mapping of Mars in the late 1800’s by Giovanni Schiaparelli, and is part of a really neat set of early modern maps of the red planet. Peacay (BibliOdyssey’s curator) has once again pulled together some great images that are really wonderful to look at in and of themselves, as well as being really cool historic and scientific documents.

Schiaparelli’s (in)famous ‘canali’ turned out to be a kind of optical illusion caused by interactions between light, dust clouds that form in the martian atmosphere, the orbital location and background interference from the planet’s surface itself. If a sketch is made of something that wasn’t really there but you believed it to be there at the time, can you call the result abstract art I wonder? I guess so.

I concur.