As mentioned earlier, I submitted three pieces to this year’s Horzontal Grandeur show hosted by the Stevens County History Museum. I’m happy to say that two of the three were accepted (above and below).

There will be an opening reception on Friday, 8 July 2011, from 6:30pm to 8:30pm, and it would be super cool to see a lot of people there! Sadly, I won’t actually be one of those people, as Tom and I will be leaving day after tomorrow for a month-long road trip through New England, visiting 10 colleges in 30 days. The ever fabulous Weather Grrrl should be able to attend, however, so you can visit with her and talk about art. :-)

So I’ve been a pretty good boy while here in Minneapolis, and have left my camera back at the B&B every day, focusing instead on important things like course prep. Yesterday, though, I gave myself one day of photography, focusing on St. Anthony Falls, the Mill District, the Mill City Museum, and the Guthrie Theater.

While I was in the Guthrie I made my first trip up to the 9th floor where the Dowling Studio is. The 8th and 9th floors are mostly for education and cutting edge work, and the architect felt that this called for yellow windows to ensure that the people working there always had a "sunny" view. I’m not sure I buy that argument, but I must say that they provide a really amazing view of the city, including this shot back across to the old Mill District and the great Gold Medal Flour sign. So the weird colors here aren’t my doing, and nothing in Photoshop, but are the result of shooting through several inches of yellow-tinted glass.

If you’ve been to the Guthrie, but never been up to the 9th floor, I definitely recommend it. To get there you have to catch an elevator at either the 4th or 5th floor (only staff can use that elevator to go to the 1st floor) and head up to the 9th floor. It’s totally cool to go there, because that’s how you get to the Dowling Studio, which is the third and much smaller theater at the Guthrie. I was there in the mid-to-late-afternoon, and the light was really interesting, but I suspect that it changes quite a lot all through the day.

In all my wandering around I also learned a ton about the origin of Minneapolis (which I’d known almost nothing about). I’d always assumed the Cities were here primarily because of the confluence of the Minnesota and Mississippi rivers, but no! Minneapolis is all about the water power of St. Anthony Falls, the only waterfall of note on the entire Mississippi River. This initially powered sawmills which sliced up the northern forests into planks, and then drove the amazing flour milling industry that for 50 years made Minneapolis the largest producer of flour in the world.

Most of the old mills are gone, but there’s are bits of a few, including this old General Mills grain elevator and the shell of the adjacent mill that now houses the Mill City Museum.

Fascinating stuff, and a really fun day of taking photos.

Conveniently yesterday’s prompt from The Daily Shoot was

Make a photograph that features a sign of some sort today. Maybe a stop sign. Maybe an information sign. Or an advert.

Hey, I took a lot of photos of signs (many, in fact, of this wonderful Gold Medal Flower sign), so here you are.

They’ve finish 4 weeks (or 20 episodes), and the objects and their stories have been consistently engaging and informative. Some standouts have been the carving of the swimming reindeer, the Egyptian clay model of cattle, and the Rhind mathematical papyrus, but it’s awfully hard to choose favorites when the quality has been this good. If I had to pick just one out of what they’ve broadcast so far, it would probably be the Jomon pot episode. This type of pottery changed the way we understood the development of this crucial technology, and the way these objects were revered in Japan thousands of years later is quite wonderful. This particular pot, made some 7,000 years ago, was valued so highly a few hundred years ago that it was lined with gold and incorporated into the tea ceremony.

I’ve been to the British Museum several times over the years, and taken way too many photos there. (A few on my “main” Flickr account, and way too many on my events account.) One thing that’s been cool about the series is that in the first 20 episodes there was only one object that I remember seeing and actually photographed: The statue of Ramesses II up above. He’s huge and pretty hard to miss there next to the Rosetta Stone. Many of the objects in the series have been small and subtle, however, which nicely illustrates the value of a cool program like this. Some objects are pretty remarkable in and of themselves, but others benefit enormously from a guide who suggests we slow down and really look at this stone or that statue. Here MacGregor and his guests help us understand the significance, context, and impact of these objects, and totally make me want to go back to the Museum and seek these treasures out.

There are some other objects in the series that I’ve seen and photographed (such as the Assyrian Reliefs below), but most of them will be new to me. I’m eagerly looking forward to the remaining 80 episodes!

Today we spent a wonderful, exhausting day at the Alhambra in Granada, and it’s every bit as cool as the books, etc., made out. Which is good, since that’s a key reason for this entire trip to Spain! I frankly don’t have any idea where to begin. I took over 800 photographs, plus there’s all those from WeatherGirl and Sub-Evil Boy).

It’s like several really cool forts and castles, some spectacular gardens, archeological digs, museums, (Christian) churches, and a complete course in Muslim architecture and culture (complete with some of the finest examples on the planet), all in one (big) place. I’m both physically and mentally exhausted (and exhilarated!).

This shot is from the justly famous "Patio of the Lions" (Patio de los Leones). The lions themselves (part of a fountain in the middle of the space) were missing as they’re undergoing extensive restoration at the moment. Still, the space, the columns, the carving, and the light were enough to take my breath away. And that was after already seeing room after space after room of exquisite work.

I’m going to go sleep now.

Later.

We just finished two consecutive day trips to London (Friday and yesterday) and I’m thoroughly tired, and full of undigested photos. This fellow, one of the few I have processed, is from the Egyptian mummification exhibit at the British Museum (Rooms 62 and 63).

On Friday we started down in Greenwich. It was our first time through the Docklands on the DLR — it would be nice to walk those canals and take photos — and our first time to the Royal Observatory and the Prime Meridian. I wish we’d had more time there – it was a beautiful day and there was a ton of cool stuff one could see. Time was tight, though, so we zoomed off to the British Museum before rush hour hit, and spent the rest of the evening there.

While WeatherGirl wandered the museum, however, Sub-Evil and I snuck off and bought tickets for Avenue Q at the Noël Coward Theatre for the following night. He’s been keen to see that ever sense we got here, and it was nice to finally make that happen, but it did mean two consecutive days into London, which is frankly pretty tiring.

Yesterday Sub-Evil and I started at the Petrie Museum of Egyptian Archaeology on the UCL campus. Sub-Evil is very into Egyptian history, writing, artifacts, etc., so he really wanted to see this. It’s a very cool collection, but pretty desperately in need of a new home, with the collection crammed into old victorian cabinets and spilling down an emergency exit staircase! Next was the British Library, which was just tremendous! The King’s Library alone was worth the (free) price of admission, and the display of the treasures (Magna Carta, illuminated manuscripts, handwritten scores, drafts, diaries, and letters by amazing folks) was really wonderful.

After all that we grabbed some dinner and then headed off to Avenue Q! We both had listened to the soundtrack about a zillion times, so there weren’t a lot of surprises. The production was tons of fun, however, and watching the puppet masters sing, dance, act, and run the puppets at the same time reminded me of the line about Ginger Rogers doing everything Fred Astaire did, but backwards and in high heels :-).

Now we pack and organize, for tomorrow we’re off to Methwold Old Vicarage for our first stay in a Landmark Trust property!

I realize that I’m fashionably late for Darwin Day (12 Feb), but I offer cool-scary dinosaur skeletons and flesh-eating beetles in apology!

We were in London Friday to see the Kildegaards who (a) are friends of ours from Morris, (b) are living in Denmark this year on sabbatical, and (c) were in London for a week. We had a wonderful day, which included time in both the Natural History Museum (NHM – where the photo above was taken) and the V&A.

As part of our time in the NHM, we toured the wonderful Darwin Centre. (See the nifty connection? See? See? :->) This included amazing cool things such as a giant squid in a tank, loads of great big animals (mostly fish) preserved in equally big custom-made glass jars (including a Coelacanth and a whole jar of platypi), and flesh-eating beetles! They have a whole room of incubators of flesh-eating beetles that they use to clean specimens without damaging the skeletal structure. And to top off this festival of biological delights, they have a real-time beetle-cam where you can watch the little critters roaming around over the carcass of the moment (in a grainy, low-res format, to be sure), busily contributing to the scientific process. I suspect, in fact, that they will, in their oblivious fashion, will probably contribute more to science than someone like Huckabee.

I want to thank our tour guide (whose name I, sadly but predictably, have forgotten), as she did a great job. She was full of useful information, and handled our numerous questions gracefully and informatively.

We’re back from an excellent little 24 hour whirlwind visit to the Mighty Metropolis aka London. Most of it was spent in the British Museum, where we had tickets to see the Chinese terra cotta army. No photos from that, but it was quite remarkable and absolutely worth it.

I took lots of photos (many quite mediocre, or worse) in other parts of the British Museum, including this in a small temporary exhibit right by the entrace called "Divine Cat". This bronze egyptian scuplture was donated to the Museum by a Major Gayer-Anderson, who "was a keen restorer of ancient metal objects". Recent analysis (including X-rays) revealed that the good Major jammed a metal cylinder in the head to give it more strength, repaired a major crack, and applied a thick layer of green paint to help hide the repairs.

Oh.

An excellent little exhibit, and a nice example of the many complexities of managing a collection such as theirs.

And the cat was cool too.

I’ve posted the whole unedited lot up on my Flickr events account, and will post tidied up versions of some of the more interesting ones to my “main” Flickr account.

On my Twitter stream this morning was this from kjell_:

“The disappearance of age-old pleasures and privileges is the first unmistakable sign of progress.” -Bernard Rudofsky

followed by this from Vaguery:

scanning an 1850 Edinburgh Philosophical Journal, just ’cause. And for the Agassiz

Of course it’s convenient that Vaguery’s Twitter things have a very high proportion of “scanning some cool old document to save it for the world”. Still, I thought it was cool :-).

And I don’t know what the rest of you are doing this evening, but we’re going to the British Museum to see the Chinese terra cotta army (or the bit of it that’s on display there at the moment)! You never know, I might take a photo (or 200).

Looking for something fun for a Friday afternoon? Hard to beat the joys of Launchball! This is an amazingly fun and clever little game, and I wasted all too many minutes going through the levels. And it’s from the Science Museum just down the way in London.

Don’t blame me for this distraction – it’s all Kjell’s fault.