L to R (starting at the little wall):

• Two "old" pieces, our bios, & price list. The top piece ("Beyond the rim") is a sculpture of Sue’s made from wood and human hair. The bottom piece is a photo of mine from the train tracks here in Morris.
• "Askance" – a large profile of Sue.
• "Thought full" – a very large shot of the back of Sue’s bald head leaning slightly forward.
• (Turning the corner) "Emergence" (top) – 2 horizontal shots of *very* short hair growing back in. "Home" (bottom) – Her very freshly shaved head.

L to R:

• A group of 3 all coming from Sue having me use henna to tattoo "No freedom without privacy" onto the back of her freshly shaved head. First is a close up of the dried henna, the strip in the middle shows her hair growing back through the tattoo and the tattoo fading over time, and the third is a B&W shot from when the henna was still wet.
• Lastly, a diptych of two very large "pages" of 420 different photos of Sue taken over a 3 month period as her hair grew back.

The Prairie Renaissance Cultural Alliance (PRCA) asked us about possibly doing a show together this time last year, assuming (I think) that we’d just collect some of her sculptures and some of my photographs, and call it a show.

We both felt, however, that if we were going to do a show together, we wanted to do a show together, so we asked if we could wait a year and assemble some new, joint material in the meantime. The result was this collection of photographs (by me) of her head; in essence she laid the tableau through various treatments of her head as a sculptural object, I shot a metric crapton of photos, and then we sifted through them together and assembled this collection.

While it’s only 8 pieces, it uses over 500 separate photographs out of the nearly 10,000 we shot over the course of 2013 for this project. (We shot over 7,000 images from late February to early May alone!) We also chose to make some very large prints, with the 8 pieces covering nearly 100 square feet of wall. I really love printing large, but rarely can justify it, so it was quite wonderful seeing some of these big prints. :-) The original plan for the big diptych was to have a single piece, 6 feet tall by 8 feet wide, but we couldn’t find anyone that could do art quality photo printing that big, which is why we ended up dividing it into two “pages”.

For folks in the area, the show opens Wednesday, 13 Feb, and there’s a reception Sunday, 16 Feb, from 7-8:30pm.

As mentioned earlier, I submitted a number of photos for consideration in a call for art for UMM’s new Welcome Center. Much to my delight two photos were in fact chosen, being I think the first two pieces of mine to ever be purchased as art (as opposed to illustration or journalism). The first is the train panorama above, and the second is the turbine shot below.

Michael Eble (the curator for UMM’s HFA Gallery) also asked if he could exhibit four other photos (below) that I submitted in the 2010 Celebration exhibition in the HFA Gallery! They’re hanging now (in the upper level down at the end). There will be special showings during Founders Weekend, September 23–26 and Homecoming Weekend, October 8–10, and the exhibit closes on 16 October.