This weekend was the world premier (doesn’t that sound grand?) of our son Thomas’s play “The House of Atreus”. He wrote the play for the Morris Area High School (MAHS) folks to perform as their entry in the annual One Act competition, and it was a really wonderful opportunity to give back to the theatre program that was so valuable to him during his time at MAHS.

The play is a challenging one to perform, involving a lot of monologue from the four leads, and a lot of synchronized response from the chorus. There’s not a lot of action, as the play emphasizes ideas instead of car chases and love scenes. The cast really rose to the challenge, though, and managed to own these complex concepts and stories.

I’m particularly grateful that teacher/director Seth Kelly was willing to work with Tom on this. Not everyone would be willing to take a flyer on a still-being-written play by a college student. Mr. Kelly, however, was incredibly supportive of Tom’s writing, and was then able to help his student actors inhabit these complex characters and make the play really work on the stage.

All this would have been totally wonderful if all that happened were the two performances at the high school. Today, however, they took the play to the one act sub-sections and won first place! This qualifies them to go on to sections next Saturday (8 Feb). If they can take first there as well then they perform in the state event on Friday the 14th! Taking first at sections is tough as the competition is likely to be stiff, but a parent can hope :-)

Congratulations to Thomas for writing such a cool play, and to all the MAHS folks that brought it to life on the stage!

We really liked Mr. Kelly’s description of the story in the program:

This bold and honest Greek drama is a tragedy within a tragedy, focusing on Agamemnon’s children. Agamemnon, a hero of the Iliad and the Odyssey, has no shortage of heroic feats and triumphs under his storied belt, but his children’s struggles are more complex. In popular mythology, these four siblings are rarely given depth, often acted upon as pawns, and usually treated as victims rather than individuals. This play gives them the voices they lost millennia ago.

Iphigenia, Chrysothemis, Electra, and Orestes must face the terrible realities of their existence in order to make peace with their lives. As they bravely face the trauma of their pasts, they grasp for hope’s elusive grip. The truths they stumble upon along the way are as relevant today as they were in ancient Greece.

and his “Director’s Note”:

I knew that selecting a Greek play for our One Act this year was ambitious. After all, stripping actors of all physical objects and elaborate scenery leaves them with little but their own dramatic imaginations to carry the story. That said, at the production’s onset I couldn’t have fathomed the intensity we eventually found in these stories and characters. I’m tremendously proud of our cast and crew, and I would never have burdened them with such a complex and challenging script if I didn’t have faith in their ability and dedication.

We are pleased that this year’s show was written by MAHS alum Thomas McPhee, who currently studies Theatre and Writing at Hampshire College in Amherst, Massachusetts. I am delighted that his passions have continued to inspire us beyond his tenure here, and I sincerely hope this won’t be the last time he lends us his talent.

It is also worth noting that, as in all Greek tragedies, very weighty themes abound in this show. At its best, tragedy informs the audience how we might improve the business of our own fleeting lives, therefore an ever-present, foreboding sense of mortality drives these stories. We recognize that these concepts might be difficult for younger children to digest, so please don’t feel locked in to your ticket purchase if, knowing this, you’d rather not have your children hear about violence, war, sacrifice, death, and revenge. We understand! The ticket taker can refund you if you leave before the show begins.

While it’s really hard to describe and summarize such a complex performance, a section I particularly loved had them doing a somewhat traditional dance to a large chunk of the audio from the video below. The video is of an art installation by Nate Harrison where the viewer listens to the audio on an LP, where Harrison discusses how a drum break from the The Winston’s 1969 B-side “Amen, brother” (often referred to now as the “Amen break”) has been sampled, re-used, and deconstructed in hip-hop and commercial advertising. Harrison’s discussion is a really nice piece of cultural history and analysis, although I confess it was perhaps more compelling with casebolt and smith dancing at the same time.

It would have been interesting in its own right if casebolt and smith had simply danced with Harrison’s commentary. They took it up a notch, however, by following it up with a really interesting dance/discussion of how dancers use and re-appropriate moves and steps they learn in classes and see in performance, effectively “sampling” movements much like a hip-hop artist samples beats. She demonstrated various moves and styles, and he then grilled her about where she learned the moves, and on the appropriateness of re-using these moves without credit or payment. This quickly borders on the absurd, which is of course the point. The courts have allowed labels to charge for re-use of tiny fragments of recordings, where there are no such expectations in dance. Presumably a key piece of this is the ability to record (either on paper or as an audio recording) and distribute music, where dance can’t be recorded and copied in the same way.

In short, it was a cool, funny, intelligent performance. We had a great time, and highly recommend the show.

I found it really interesting to find that the YouTube version of the video above was in fact lifted from Harrison’s web site without his permission, although he says in the comments that he doesn’t care (search for “nkhstudio” in the full comments). So you have Harrison making a commentary on copyright and intellectual property, which is then appropriated by someone else and turned into a YouTube video. Then casebolt and smith use it in their performance, without ever telling us where that audio comes from, as a starting point for a great conversation about intellectual property. And while it’s possible they knew about the Harrison piece before it showed up on YouTube (Harrison was a friend from college for all I know), the odds favor them discovering the piece via YouTube, where it has over 2 million views.

So…

• Now I’ve listened to “Amen, brother” (a song I’d never heard of)
• because of a dance performance
• borrowing parts of an audio track
• which I was able to find via Google
• as a YouTube video
• generated (without permission) from a video by a performance artist commenting on intellectual property and copyright
• using as a springboard the extended and repeated use of a 6 second drum break from The Winston’s “Amen, brother” in hip-hop and advertising

What a wonderful example of how re-appropriation can enrich the world, especially if we worry less about profit and more about gain.

Tuesday we saw James T. Wilson, a two person show including Stanton Pavlicek in the title role. We know Stanton and his family from Morris (his dad was a huge help in building an enormous frame to hold up our gargantuan honeysuckle vine), and it was cool to see two 18-year olds just out of high school in this setting. The show itself was still struggling to become, and while there was a of potential, it’ll need some more work to realize that possibility.

Thursday we saw Speech!, an absolutely hilarious comedy about the goofy (and often twisted) world of high school speech competitions. The writing and performances were tres sharp, and the audience was rolling in the aisles from the start to finish. This show has received a number of well deserved nominations, including a best male performance for our friend and UMM alum Tim Hellendrung! Tim’s did lots of cool improv back at UMM (as well as being an excellent manager for the campus radio station), and has continued to develop at Comedy Sports in Minneapolis. It was great to see him do such a fine job in a great ensemble production like this. Big congratulations to Tim and the entire cast and crew!

Last night (Friday) we saw what will sadly be our last show, because we head back to Morris this afternoon so Tom can hang with his friends some before we come back to the Cities Sunday night. We went out with a bang, though, catching the amazing O(h) by casebolt and smith, a two person show unlike any dance performance I’ve ever seen before. They combined some great dance with liberal splashes of spoken word and singing, providing a rich piece of performance than transcended any simple notion of genre. There was wonderful (often comedic) commentary on both culture in general and dance in particular, creating a really fun experience that was also chock full of food for thought. They also received a number of nominations, and our group (two straight guys and a woman) all agree that a sweaty Joel Smith in Superman briefs is hot!

There’s a great section in this performance about intellectual property that inspired a long enough commentary that I’ve moved to it’s own post. It’s not often in my experience that a dance performance explicitly opens these kinds of doors, so check it out.

Thomas qualified for the state finals last year (along with MAHS student Alex McIntosh), so we had the good fortune to attend last year’s event. The quality of the performances was really exquisite, and I highly recommend the event to any fans of poetry and literature in the area.

Tim Ostby (the other MAHS student this year) placed fifth at the regional. Congratulations to him and all the other students that performed last night! While there were fewer competitors at the regional than last year, the quality of the performances was considerably stronger, and the venue (A Center for the Arts in Fergus Falls) was vastly better than last year’s (a classroom at a regional community college).

A huge thanks to David Johnson, drama coach and english teacher at MAHS. Dave’s been a huge influence and support for Thomas in both theatre and Poetry Out Loud. It’s greatly to Dave’s credit that MAHS has had a student in the state finals of Poetry Out Loud each of the last four years (which is every year MAHS could have competed), with two in last year’s finals. Further, every MAHS student that’s gone to state has placed in the top 6: Anika Kildegaard took 2nd in 2007, Mary Hu won the state competition in 2008 and went on to the National Finals, and Alex McIntosh placed 4th and Thomas McPhee 6th in 2009. In fact Morris is the only high school in the state to place four students in the top 6 from 2007-2009, with no other school has placing more than two. Not a bad track record for a small rural high school. Thanks a ton to Dave for all his support and assistance!

Because it was late and I was in a hurry, I ended up just uploading the whole set (over several attempts), but marked them as private so people wouldn’t end up seeing two copies of that first group of images, figuring I’d sort things out in the morning.

The morning came, and it turned out that I really didn’t have a workable plan. All the pictures were on Flickr, but there was no good (i.e., automated) way to figure out which were the duplicates. If I could identify them, then deleting the duplicates and making the rest visible would be easy, but I didn’t have a clue how to find the duplicates using Flickr’s tools.

Sigh.

This would, however, be pretty straight forward in a script if I had all the data I needed, and this is where Flickr redeemed itself. They have a very rich API for accessing (and modifying) photos and their associated information (like tags), so if I could figure out how to use that I’d be golden. I’d poked a little with some Ruby Flickr libraries in the past, but none of them ever seemed very complete and they were always struggling to stay on top of Flickr’s changes and extensions to the API. A little searching this time, however, turned up Flickraw, which uses some really nifty Ruby metaprogramming to essentially build the Ruby part of the API “on the fly”, ensuring that it will be complete and up-to-date all automagically!

It turns out that Flickraw was indeed powerful, flexible, and easy to use. After authenticating (following the example on the Flickraw web site), I was able to use it to pull down a list of all the photos from “The boys next door”

my_owner_id = "68457656@N00"
play_title = "The boys next door"
my_stream = flickr.photos.search(
              :user_id => my_owner_id, 
              :text => play_title, 
              :per_page => 500)

I then split that list into the initial set of publicly visible photos, and the photos I’d uploaded after things got screwy and kept private (i.e., visible only to me):

public_photos = my_stream.find_all {|photo| photo.ispublic == 1}
private_photos = my_stream.find_all {|photo| photo.ispublic == 0}

My next task was to determine which of the private photos were duplicates of one of the public photos people were already looking at. All I really needed was the list of duplicates, but I decided to create lists of both the duplicates and the non-duplicates. I had to compare titles here because the Flickr IDs would be different; as far as Flickr knew they were all different photos. Happily, I had named them in a way that they each had a unique title, so if two photos had the same title, I knew they were the same shot uploaded twice.

dups = []
non_dups = []
private_photos.each do |photo|
  public_duplicate = public_photos.find { |pub| photo.title == pub.title }
  if public_duplicate
    dups.push(photo)
  else
    non_dups.push(photo)
  end
end

At this point, I could apply tags to all the photos in the two groups, and all the rest of the fiddling could be done through Flickr’s web tools:

non_dups.each do |photo|
  flickr.photos.addTags(:photo_id => photo.id, 
                        :tags => "to_keep")
end

dups.each do |photo|
  flickr.photos.addTags(:photo_id => photo.id, 
                        :tags => "to_delete")
end

I could have actually done everything with the Ruby script (delete the duplicates, change the remaining images to publicly visible, and add them to the appropriate set), but wanted to do that via Flickr so I could see what was happening as I went. And once the tags were in place, the work in Flickr was quite straightforward. The result: A set of 339 images that contains all the photos I uploaded, with no duplicates, all accomplished without deleting any of the original uploads.

Big thanks to Maël Clérambault, the author of Flickraw, for his excellent little library, and thanks to Flickr for providing this very nice set of API calls. (Now go fix Flickr Uploadr, damnit!)

As for the play – I just heard that they took second at today’s sub-sections competiton, which means they move on to sections next week, and Tom got a star performance award! Congratulations all!

The event will feature the 18 first and second places from the nine regions, each reciting one, two, or three poems depending on how far they get in the finals. Two of the 18 are from Morris: Alex McIntosh, son of Alisande Allaben (UMM Alumni Relations office) and Gordon McIntosh (UMM Physics); and Thomas McPhee. Having 11% of the finalists be from our little town is a pretty good showing, so we’ll definitely appreciate any Morris fans that are able to come out and join us.

Based on what we’ve seen getting this far, and what we’ve heard about past finals, the quality of the recitations should be really high. At the risk of being an immodest dad, I think that this should be a real artistic performance, and certainly not a painful “We’re only here for the kids” kind of experience.

The state winner goes on to the national finals next month in Washington D.C., with a chance to win a $20K scholarship!

A wonderfully nerdly performance of mental arithmetic. I found his use of word mnemonics to remember large numbers quite cool.

I just finished a long overdue upgrade of all the UnhinderedByTalent.com WordPress installs, so everyone’s all spiffy and shiny now.

The photo (from the Green Fair where we met the River Nene folks) is just there to fool you into believing this post actually had content :-).

Someone asked over on Flickr if I knew who this was. I didn’t have a clue who he was until the question prompted me to do my homework. You’re looking at Bob Breeks, the guitarist and singer for The Bad Terrorists, a band here in Colchester. They were played with (I’m assuming) reduced amplification at the fair, so you really couldn’t hear the vocals for crap, but the playing was quite fun.

The three of us saw an excellent production of Shakespeare’s Coriolanus two weeks ago at the Mercury Theatre (see WeatherGirl’s excellent report), and last night we saw the companion piece, Julius Caesar.

One of the cool things they’ve done is use an all male cast for Coriolanus, and an all female cast for Julius Caesar. Both groups did a great job, and it was wonderful to see how quickly we came to see them as their characters, regardless of their gender. No particular effort was made to act like a man/woman, so no camp voices or crotch scratching. The focus instead was on the text and the characters, and they did a really fine job, showing how a powerful, honest delivery of the text can sell the characters irrespective of the physical bodies they inhabit.

I was also struck by how contemporary the language sounded in Coriolanus. Often Shakespeare can sound very Shakespeare, and you’re constantly reminded that you’re watching something old. Here, however, the (unaltered) text came off as much more contemporary, a tribute again to the quality of the cast and direction.

One might reasonably wonder why they chose to use these mono-gender casts. A decision was made to do Shakespeare’s two roman plays (Colchester is, after all, the ancient roman capital of Britain), while independently a list was being gathered of company members who wanted to participate in this fall’s season. The company list was roughly an even split on gender (a good sign and certainly not to be assumed, even today), while (not surprisingly) the list of parts was greatly imbalanced in favor of the gents. The two women that were organizing the productions (each directed one of the two plays, and assisted with the other) decided to boldly go, and chose to cast both plays along gender lines. Based on the performances, listening to the cast talk about their experiences, and the reviews, it must be regarded as a great success.

I’m writing the checks to the two organizations as we speak, and we’ve raised (to date) a total of $748, or $374 for each organization (the Lance Armstrong Foundation (LAF) and the Cancer Kids Fund of the Children’s Hospitals and Clinics of Minnesota).

People can continue to donate in our name to LAF via their Mutant Variety Show web site, and I’m sure that Cancer Kids wouldn’t argue if you sent them a check.

Thanks a zillion to all our wonderful performers and our incredibly generous audience!