This is great stuff, and reminds me of some of the high points of the early days of Open Mic Night at UMM. I love how she uses the looping electronics in a way that comes across as very organic and acoustic.

Richard team taught the intro physics course I took my first year at Reed (where I learned that I was decent but not great at physics). On the strenuous recommendations of two good friends and physics majors (Peter Shirley and Neil Alexander) I later took the classroom part of second year physics from Richard. It was, as Peter had said, the best applied math course on campus, and Richard was a total genius with colored chalk, leaving the board covered with true works of art at the end of class. This was one of the most profound examples of the difficulty of capturing certain kinds of process in one’s notes, an issue I still struggle with as a teacher. Richard’s lectures were amazing to watch, but near impossible to wrestle into a notebook. I tried all sorts of things, including using colored pencils, to try to capture the glory of his board work, but it all failed. I suspect the only other person I had who’s lecturing was both as beautiful and as frustrating was Edsger Dijkstra.

More important than the classes I had with Richard, however, was his impact on me as a budding computer scientist. I’d taught myself BASIC in high school, but had never had any kind of instruction on programming or computing before my first semester at Reed, when we learned PASCAL in a series of labs in that intro physics course; labs which clearly owed their existence to Richard’s grasp of the growing importance of computation in math and science. Richard was friends with Steve Jobs, and it was through that connection and Jobs’ fond memories of his time as a quasi-student at Reed that Reed got an early Lisa, and then some of the first Macintosh computers. I remember playing with MacPaint on that clunky Lisa (I think with Peter Shirley again) and just being blown away – it was totally clear that we were seeing the future.

It was in significant part through Richard that I got to spend the summer of ’84 working at Reed designing fonts and programming for the earliest Macs. This was a very exciting opportunity, and I really felt like I was contributing to something. Probably my most notable achievement was the design of a bitmap math font (we’re just a little before PostScript here). Richard was very excited by the bitmap graphics on the Mac (taken for granted now, but still a novelty in the early 80’s), and as a scientist and mathematician he recognized the potential and value of not being tied to the ASCII character set that dominated computing at the time. So as a math nerd with computing interest and calligraphy experience (I was fortunate enough to take one of Robert Palladino’s last calligraphy courses at Reed in 1983), I was tasked with making a math font. This mostly consisted of designing a set of Greek characters, along with other common math symbols. It was hardly LaTeX (which would have been a nightmare to run on those boxes), but it was useful and widely used, and available for several years in big free font packs that you could get on a set of floppies from a fellow in (I think) Utah that had taken on the task of coordinating the distribution of free fonts. Those early bitmap fonts were, however, supplanted in short order by the much better PostScript fonts, and when I wrote my undergrad math thesis in MacWrite a year and a half later, I used the PostScript Symbol font instead of my own work. Sigh.

I also did some programming (I think I worked some on GriffinTerm, an early Mac terminal emulator), but my regret is that I didn’t make more of that opportunity. Richard was a strange guy who I at least found hard to read, but he was also clearly visionary and well connected. It’s hard to know what might have happened if I’d pushed myself more and made more of that opportunity. Sadly, I didn’t really understand the value of making things, and was mostly focused on “learning things” by taking courses and doing homework. I compare that to Thomas, who has done more extra-curricular “making” in his first year than I may have ever done at in my time at Reed, and it reminds me of why it’s so important to support our students at UMM in their “making”.

So farewell and thanks to Richard Crandall, a fellow who certainly made things, and who helped give me a great opportunity to make things.

The U.S. Department of Energy is featuring a small set of six U.S. colleges and universities that they feel are doing cool things to help us move into a more sustainable future. The second video to be “aired”? The University of Minnesota, Morris :-)

Our computing folks are getting involved in this by building tools that will help provide community members with current (hopefully nearly real-time) information on both energy consumption and production. Down the road we’re hoping to give people some predictive assistance, suggesting possible times when discretionary high-load jobs would take best advantage of things like our wind turbines.

Most (all?) of the photos from Fashion Trashion (about two minutes in) were also taken by yours truly. Thanks to Jess for inviting me to take photos at these extremely cool events.

And has packed his bags for Egypt.

He’s going on a UMM course “Pyramids and politics on the Nile” led by UMM Poli Sci faculty Sheri Breen and UMM librarian Jayne Blodgett, both super cool people. This is a pretty structured experience (full itinerary as a PDF) using Cairo as their primary base but with trips down the Nile to Luxor and Aswan, visits to Alexandria, and time at a desert research station.

One of their requirements is to keep a journal during the trip, and they all had to write a “Letter to Cairo” before departing as their first entry, and I thought I’d play along.

Dear Cairo,

Please take good care of our son. I really wanted to start with something more profound, but to be honest this is the first thing that I thought of. I’m genuinely not worried. His mother and I survived a number of great study abroad experiences which did so much to define who we are, and we’re sure he’ll have an amazing and glorious time. Still, it’s an exciting time to be in Egypt, and I’d greatly appreciate it if you’d play nice.

Inspire some wonderful writing. People keep telling him to take lots of pictures, but they’re really barking up the wrong tree, as he doesn’t really do that. (Here the apple fell on a slope and rolled well away and down the hill.) Tom is much more likely to digest and record his experience in words than images. It probably won’t be straightforward journaling, however, and instead be more indirectly represented in his poetry. “Vulcan’s bed”, for example, is a response to his time with me in Lava Beds National Monument two years ago; it is his version of all my photos. So while I know that he’ll have phenomenal experiences in Egypt, I hope to see them creep (or smash) into his poetry and other writings.

Open some doors; I’m sure he’ll walk through them. Morris has been a wonderful town for Tom to grow up in, but it’s a pretty small world. Thomas has had the huge advantage of living in the UK twice, and travelling in Europe on both of those trips, but it’s still been a very European life. You represent such a fascinating crossroads of history and culture: Mediterranean and Arab and African and Islamic and pharaonic and crowded and vibrant and changing and old and new. In 3.5 weeks he’ll only be able to sample such a feast, probably taking more than he realizes in some ways and less in others. When he comes back, though, I suspect he’ll never quite see things the same, sometimes in ways that may take years to fully realize.

I know that he’ll be a tiny mite on the huge organism that is Cairo, so odds are that you’ll never even notice he was there. You’ll loom huge for him, however, and we appreciate all you have to offer.

Best wishes,

    Nic aka Thomas’s Dad

Some of these changes are “big”, like the fact that we now can use Google Reader (a very nice RSS reader – I definitely recommend it). Others are more subtle. One of these hard-to-spot changes that happened in the last few weeks is the addition of some new visibility options in Google Calendar. When they first set things up, you could share a calendar, but you couldn’t share any of the details outside of UMM. So local folks could see the details (if you wanted them to), but everyone else (even people on the TC campus) saw everything marked as “Busy”. Recently they quietly changed things so you can open up your calendars to be fully visible if you are so inclined.

Whee! I’ve been waiting for this for a while, and it’s nice that it’s finally happened. Now I can embed my calendar in places like my university web page and folks can see more than lots of little blue blocks marked “busy”. I’ll have to be a little more careful to mark certain events as private, but it’s definitely worth it.

A lot of her work these days is sculpture, but she is submitting one art book: “30 days of November”. The pages are all “tea sheets”, one from each day in November, 2008. For 2.5 years she’s been documenting every time she’s had a cuppa in a variety of ways, one of which is tipping out the leaves onto a 4×3 inch sheet of paper, which then leaves a stain. The “front” side of each page is the “stain” side, and she then embellished the backs in a number of different ways.

I’ve taken some other photos of the process (10.10am, The aftermath, and Pekoe), and it’s really cool to see a book made out of these. The “triptych” above is what she’s actually submitted for consideration. The shot below didn’t end up in the submission shot, but I liked the way the light worked so I posted it on Flickr anyway.

The other pieces she’s submitting are all metal sculpture, three in aluminum, and one in bronze. One of the cool things about the one to the right is that the top part is made using hair. Sue’s been collecting her hair for quite a while, and she finds that it naturally balls up in interesting ways. Here she’s packed a ball of hair in damp sand and poured in molten aluminum to capture the texture.

The other aluminum pieces were made by carving polystyrene foam, which the molten aluminum replaces. The bronze piece at the bottom was made using a silica mold, and then treated in all kinds of crazy ways to get a patina she was happy with.

In the meantime, we have had a ton of snow this winter. Just sayin’

As mentioned earlier, I submitted a number of photos for consideration in a call for art for UMM’s new Welcome Center. Much to my delight two photos were in fact chosen, being I think the first two pieces of mine to ever be purchased as art (as opposed to illustration or journalism). The first is the train panorama above, and the second is the turbine shot below.

Michael Eble (the curator for UMM’s HFA Gallery) also asked if he could exhibit four other photos (below) that I submitted in the 2010 Celebration exhibition in the HFA Gallery! They’re hanging now (in the upper level down at the end). There will be special showings during Founders Weekend, September 23–26 and Homecoming Weekend, October 8–10, and the exhibit closes on 16 October.

Tuesday we saw James T. Wilson, a two person show including Stanton Pavlicek in the title role. We know Stanton and his family from Morris (his dad was a huge help in building an enormous frame to hold up our gargantuan honeysuckle vine), and it was cool to see two 18-year olds just out of high school in this setting. The show itself was still struggling to become, and while there was a of potential, it’ll need some more work to realize that possibility.

Thursday we saw Speech!, an absolutely hilarious comedy about the goofy (and often twisted) world of high school speech competitions. The writing and performances were tres sharp, and the audience was rolling in the aisles from the start to finish. This show has received a number of well deserved nominations, including a best male performance for our friend and UMM alum Tim Hellendrung! Tim’s did lots of cool improv back at UMM (as well as being an excellent manager for the campus radio station), and has continued to develop at Comedy Sports in Minneapolis. It was great to see him do such a fine job in a great ensemble production like this. Big congratulations to Tim and the entire cast and crew!

Last night (Friday) we saw what will sadly be our last show, because we head back to Morris this afternoon so Tom can hang with his friends some before we come back to the Cities Sunday night. We went out with a bang, though, catching the amazing O(h) by casebolt and smith, a two person show unlike any dance performance I’ve ever seen before. They combined some great dance with liberal splashes of spoken word and singing, providing a rich piece of performance than transcended any simple notion of genre. There was wonderful (often comedic) commentary on both culture in general and dance in particular, creating a really fun experience that was also chock full of food for thought. They also received a number of nominations, and our group (two straight guys and a woman) all agree that a sweaty Joel Smith in Superman briefs is hot!

There’s a great section in this performance about intellectual property that inspired a long enough commentary that I’ve moved to it’s own post. It’s not often in my experience that a dance performance explicitly opens these kinds of doors, so check it out.