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{"id":881,"date":"2008-11-08T21:47:42","date_gmt":"2008-11-09T02:47:42","guid":{"rendered":"http:\/\/UnhinderedByTalent.com\/Phi\/?p=881"},"modified":"2008-11-08T21:47:42","modified_gmt":"2008-11-09T02:47:42","slug":"evelyn-glennie-the-amazing-variety-of-human-experiences","status":"publish","type":"post","link":"https:\/\/UnhinderedByTalent.com\/Phi\/archives\/2008\/11\/08\/evelyn-glennie-the-amazing-variety-of-human-experiences\/","title":{"rendered":"Evelyn Glennie: The amazing variety of human experiences"},"content":{"rendered":"

About a year ago my wonderful sister strongly recommended Touch the sound: A sound journey with Evelyn Glennie<\/a><\/em>, and has gently badgered me about it ever since. I ordered it through inter-library loan up at the U<\/a> and it arrived! I’m happy to report that it’s every bit as good as Misty suggested, and has been a real treat.<\/p>\n

\"EvelynI first heard about Glennie<\/a> several years ago from a student, and I think I filed her (without any data and without hearing any of her work) in the “Novelty Act” category in my head. This film does a wonderful job of shattering that preconception – she is a remarkable talent with truly amazing rhythmic sense and control. More importantly, she has a real deftness to her playing and a wonderful response in her improvisation. I can imagine a person with good coordination learning to bang out patterns, but she has a subtlety and range that would be the envy of most musicians, and her improvisations with other musicians (e.g, Fred Frith<\/a>, Ondekoza<\/a>) is a joy to watch and to listen to.<\/p>\n

Frith is a particularly apt pairing, as they both share a combination of power and gentle subtlety that make their improvisations together incredibly rich. There’s a CD of their improvisations<\/a> on that day which has happily flown onto my wish list :-).<\/p>\n

My only complaint about the film is really entirely unfair. I (and I suspect most people) would dearly love to better understand what her experience<\/em> of music is, as it’s presumably quite different from that of hearing folk. As she says in the film, however, hearing people can’t typically give any helpful account of their experience of hearing, so it’s not terribly fair to expect her to give an account either. I happily take her point, but that doesn’t do anything to quell the rush of questions:<\/p>\n